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Blender foundation

Image via Wikipedia

Word is spreading throughout the Blender community of a few companies (3DMagix, 3DMagixPro, IllusionMage) who are rebranding Blender and using copy-written material to sell “their” product.

Ton Roosendaal explains:

With the success of blender.org projects, and publishing all the exciting Blender releases, we’re now being challenged by third parties who like to ride the waves and do business with Blender.

There’s nothing wrong with that. In its very nature, GNU GPL is about freedom, the freedom not only to use and modify the sources, but also to distribute and resell our releases under another brand name.

Recently we received several concerned emails and forum postings from people who were worried about Blender resellers using especially Ebay to sell Blender.

On their web pages they intentionally hide that the products are distributions of GNU GPL licensed software, and that the software is freely downloadable as well. More-over, even after contacting them several times, they don’t remove copyrighted content from their websites.

Here’s a link to the full article on the Blender Foundation‘s  site: 3DMagix and IllusionMage, scam or open source leeches?

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Timewarp Films is pleased to announce that Brian Anderson, the owner and operator of ADF Studios, has joined the post-production effort for the long-anticipated Crawler.

Anderson brings a fresh perspective, and a much-needed dose of enthusiasm to a project that has been on the back burner for longer than I care to admit. But Brian is hitting the ground running, which allows me to shift focus to completing the final edit, sound design, and other post-production activities — confident that his VFX tasks will be completed.

On Sunday, we had our first production meeting. We watched the rough cut of the film in order to assess the scope of tasks involved. What immediately struck him while watching was how the film has an X-Files feel to it; something I never noticed. We brainstormed about the potential for additional scenes for the creature that will help round out the story. This was something Don and Joe had hoped for during pre-production.

After viewing, we discussed the workload. There’s a lot to do, but we agreed it’s well within our reach. We will start with an updated creature design. Much of the original concepts will remain, but given the improved technology, and Brian’s fresh take, I think we hashed out some great ideas. More on that in a future post.

I’m very excited to have Brian on board. He brings to the table an extensive resume of freelance work, including the visual effects for two feature films (Ninjas vs. Zombies and Ninjas vs. Vampires), as well as a reputation for speed and quality.

One additional piece of news. When we discovered several gaps in the musical score, Justin Timpane, who composed the original score, offered to add additional tracks and re-mix existing ones.

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Randall D. Larson at Buysoundtrax.com has reviewed Ronnie Doyles “compelling” score for Sealed Fates. Here are some quotes:

SEALED FATES is quite a good score that evokes and maintains a cool atmosphere of fatalism as it progresses.

The score conveys an interesting texture throughout…[b]ut above all is the dominating pattern of Doyle’s primary theme, which propels the score along with a slow yet relentless cadence.

You can find the full review here.

And you can find the score at bandcamp.com.

Congratulations, Ronnie!

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The ever-prolific Lee Doll has a new series about to debut called The Fixer. In addition to the usual production team of Lee himself, Rob Long, and Jeff Herberger, one of my oldest friends, Steve Rifkin, wrote the screenplay (and also has a cameo). It stars Brian St. August and Sealed Fates alum Al Guy (who also did stunt choreography). As usual, I’m doing some visual effects. Looking forward to it.

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The IMDb logo.
Image via Wikipedia

Joe Ripple, our director, announced this week that the page is up. You can find the link here. I guess that means I’m officially a produced screenwriter. Yay!

It’s also great to now formally be listed as a film editor and cinematographer. We all wear a lot of hats.

There are still more credits that need to be added, plus a lot more detail about the film, but it’ll get there. Plus I’m hoping we get promotion going in 2011.

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Craig Mazin, a working screenwriter, had some interesting comments about paying for a screenwriting consultant, or buying a book written by one of the so-called screenwriting gurus. He makes some good points, and I think his heart is in the right place. But not every reader agrees. There’s a heated discussion in the comments section. Whether you agree with him or with one of the readers, that post is well worth checking out.

Personally, I’ve read quite a few screenwriting books, and I believe there is some value in them, but you can’t expect to read books and become a career screenwriter. And Mazin is definitely right when he says,

“You’re far better off reading screenplays (lots of places on the internet to do that) and watching movies.”

But I do like to read books, and as Terry Rossio put it in comment #22, 

“You might have overlooked one of the main reason why many people buy screenwriting books, from authors who don’t actually write screenplays.

Procrastination.”

Read the post here.

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Nikon AF Nikkor 18-70mm (APS-C) Zoom lens
Image via Wikipedia

theBlackandBlue Web site posted an article, with a lot of photos, about building your own follow focus for your DSLR camera. Some of them look really nice. Check it out here.

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Here’s a fun review of Blood, Boobs, and Beast, the documentary about cult filmmaker Don Dohler. Also, visit the site of the documentary filmmaker John Kinhart.

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Image representing Twitter as depicted in Crun...
Image via CrunchBase

I found yet another WordPress to Twitter plugin. This one seems really well constructed, so I’m giving it a shot.  This is my first try. Click here for the plugin site.

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Timewarp Juggle

My buddy Rob at Smash or Trash posted a very nice write-up about the projects we at Timewarp have going on. Check it out here.

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© 2012 Tales from the Cellar Suffusion theme by Sayontan Sinha